Thebes is under attack. In a bloody battle outside the city's gates, the sons of Oedipus fight to the death. King Creon issues an edict: Eteocles, who nobly defended Thebes against his brother and the invading army, is to be buried a hero; the body of his treacherous brother must be left to rot. Antigone and her uncle are locked in conflict. With no burial rites, Antigone knows that her brother Polynices' soul will be denied passage to the underworld and the gods will be offended. As the new king, Creon cannot ignore her actions - her defiance is a matter of national security.
Thebes is under attack. In a bloody battle outside the city's gates, the sons of Oedipus fight to the death. King Creon issues an edict: Eteocles, who nobly defended Thebes against his brother and the invading army, is to be buried a hero; the body of his treacherous brother must be left to rot. Antigone and her uncle are locked in conflict. With no burial rites, Antigone knows that her brother Polynices' soul will be denied passage to the underworld and the gods will be offended. As the new king, Creon cannot ignore her actions - her defiance is a matter of national security.
Ordinary people in extraordinary circumstances articulate issues that have echoed down through the centuries.
British theatre director Declan Donnellan is the first Director of the Royal Shakespeare Company Academy and is best known for his work with Cheek by Jowl (including their acclaimed all-male As You Like It) and on Tony Kushner's Homebody/Kabul. As Associate Director of the National Theatre his productions included Fuenteovejuna, Sweeney Todd and Angels in America.
Every line of Donnellan's version rings out loud and clear - it
comes across both as stinging dialectic and as a tragic study in
the denial of nature.
*Michael Billington, The Guardian*
Every line of Donnellan's version rings out loud and clear - it comes across both as stinging dialectic and as a tragic study in the denial of nature. * Michael Billington, The Guardian *
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