Powerfully told, elegantly wrought, George P. Pelecanos's The Big Blowdown is a knockout.
Washington DC, 1946. For Joey Recevo and Pete Karras, two kids from one of Washington's rougher neighborhoods, the easiest work to find after the War is all criminal---providing a little muscle for a local boss. But Karris is soft on his fellow immigrants, and the boss can't let his mob get soft, so one of his boys gives Karras a painful lesson.
Three years later, it's the same mob that figures big Nick Stefanos's grill needs protection---and this decision will once again bring Joey and Pete face-to-face. In this final confrontation, the two of them will find the meaning of friendship, the heart of honor, and the cost of both.
Powerfully told, elegantly wrought, George P. Pelecanos's The Big Blowdown is a knockout.
Washington DC, 1946. For Joey Recevo and Pete Karras, two kids from one of Washington's rougher neighborhoods, the easiest work to find after the War is all criminal---providing a little muscle for a local boss. But Karris is soft on his fellow immigrants, and the boss can't let his mob get soft, so one of his boys gives Karras a painful lesson.
Three years later, it's the same mob that figures big Nick Stefanos's grill needs protection---and this decision will once again bring Joey and Pete face-to-face. In this final confrontation, the two of them will find the meaning of friendship, the heart of honor, and the cost of both.
George P. Pelecanos is the author of several novels, including Nick's Trip, The Sweet Forever, King Suckerman, and Shame the Devil. He lives and works in the Washington, D.C., environs.
"He is among the finest ten or twelve novelists working in the U.S. today. . . . [a] Balzacian figure so intent upon rendering this nation's whole ramshackle, impossible urban life over the past half-century." --James Sallis, from his introduction "Pelecanos writes hard-boiled prose full of music and pain, like he just might be in charge of saving his characters' souls. The Big Blowdown is his `Once Upon a Time in D.C.'---a big book with drive and savagery, and elegance too." --Jonathan Lethem, author of Motherless Brooklyn "A charged page-turner . . . With stylistic panache and forceful conviction, Pelecanos delivers a darkly powerful story of the American city." --Publishers Weekly [starred review] "Pelecanos's books get into your blood like a shot and a beer after a third shift. Definitely my favorite writer working today." --Peter Farrelly, author of Outside Providence "A snazzy Lincoln Zephyr of a novel." --Les Whitten, Washington Post Book World "Bold and broad-shouldered, a crime epic filled with passionate characters and the gritty life of the street. . . . Pelecanos lifted me from my chair and hurled me right into the mean D.C. streets of the 1950s. Bravo!" --T. Jefferson Parker, author of The Blue Hour "One of those writers whose books I would never miss." --Harlan Ellison, author of Mephisto in Onyx "To miss out on Pelecanos would be criminal." --Barry Gifford, author of Wild at Heart
"He is among the finest ten or twelve novelists working in the U.S. today. . . . [a] Balzacian figure so intent upon rendering this nation's whole ramshackle, impossible urban life over the past half-century." --James Sallis, from his introduction "Pelecanos writes hard-boiled prose full of music and pain, like he just might be in charge of saving his characters' souls. The Big Blowdown is his `Once Upon a Time in D.C.'---a big book with drive and savagery, and elegance too." --Jonathan Lethem, author of Motherless Brooklyn "A charged page-turner . . . With stylistic panache and forceful conviction, Pelecanos delivers a darkly powerful story of the American city." --Publishers Weekly [starred review] "Pelecanos's books get into your blood like a shot and a beer after a third shift. Definitely my favorite writer working today." --Peter Farrelly, author of Outside Providence "A snazzy Lincoln Zephyr of a novel." --Les Whitten, Washington Post Book World "Bold and broad-shouldered, a crime epic filled with passionate characters and the gritty life of the street. . . . Pelecanos lifted me from my chair and hurled me right into the mean D.C. streets of the 1950s. Bravo!" --T. Jefferson Parker, author of The Blue Hour "One of those writers whose books I would never miss." --Harlan Ellison, author of Mephisto in Onyx "To miss out on Pelecanos would be criminal." --Barry Gifford, author of Wild at Heart
After several well-received Nick Stefanos crime novels, (A Firing Offense; Nick's Trip; Down by the River Where the Dead Men Go), Pelecanos goes for broke with a gangster epic that chronicles 25 turbulent years of immigrant life in post-WWII Washington, D.C. He rises above the in-built predictability of the material to unleash a charged page-turner liberally doused with sex, death and irony. Pete Karras might be a confirmed skirt-chaser, but he's way too soft on the guys he's being paid to shake down. As a penalty for shirking his duty, he gets his legs broken and ends up limping through the streets he loves, working the counter of a diner owned by Nick Stefanos (the father, presumably, of the Nick who stars in Pelecanos's earlier books). When a kid shows up looking for a lost sister who's addicted to heroin and whoring to support her habit, Pete finds himself a cause. Whores, especially well-stacked ones, are being slit open in the city, and Karras's childhood pal, Jimmy Boyle, now a beat cop, is anxious for a collar. Joey Recevo, who grew up on the streets with Karras and Boyle, is still a shakedown artist, and now his next target is Nick's place. There isn't much in the plot that truthfully surprises, but the tale of these three friends and how their loyalties are tested is feverishly alive. Pelecanos lovingly recreates old Washington with small details about soft-drink brands, finned cars and cherished smokes. The ending is a haze of gunsmoke that drifts away to leave a mixed tableau of heroism and futility. With stylistic panache and forceful conviction, Pelecanos delivers a darkly powerful story of the American city. (May)
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