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The Complete Maus

Rating
238,327 Ratings by Goodreads |
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Format
Paperback, 296 pages
Published
UK, 24 November 2003

Combined for the first time here are Maus I: A Survivor's Tale and Maus II - the complete story of Vladek Spiegelman and his wife, living and surviving in Hitler's Europe. By addressing the horror of the Holocaust through cartoons, the author captures the everyday reality of fear and is able to explore the guilt, relief and extraordinary sensation of survival - and how the children of survivors are in their own way affected by the trials of their parents. A contemporary classic of immeasurable significance.


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$25.74
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Product Description

Combined for the first time here are Maus I: A Survivor's Tale and Maus II - the complete story of Vladek Spiegelman and his wife, living and surviving in Hitler's Europe. By addressing the horror of the Holocaust through cartoons, the author captures the everyday reality of fear and is able to explore the guilt, relief and extraordinary sensation of survival - and how the children of survivors are in their own way affected by the trials of their parents. A contemporary classic of immeasurable significance.

Product Details
EAN
9780141014081
ISBN
0141014083
Other Information
illustrations
Dimensions
16.4 x 1.7 x 23.1 centimetres (0.37 kg)

About the Author

Art Spiegelman is a contributing editor and artist for the New Yorker. His drawings and prints have been exhibited in museums and galleries around the world. He won the Pulitzer Prize for Maus, and a Guggenheim fellowship. It was also nominated for the National Book Critics Award. He lives in New York.

Reviews

The first masterpiece in comic book history
*New Yorker*

One of the clichés about the Holocaust is that you can't imagine it - Spiegelman disproves this theory
*Independent*

A brutally moving work of art
*Boston Globe*

In the tradition of Aesop and Orwell, it serves to shock and impart powerful resonance to a well-documented subject. The artwork is so accomplished, forceful and moving
*TimeOut*

Spiegelman has turned the exuberant fantasy of comics inside out by giving us the most incredible fantasy in comics' history: something that actually occurred. Maus is terrifying not for its brutality, but for its tenderness and guilt
*New Yorker*

An epic story told in tiny pictures
*New York Times*

The most affecting and successful narrative ever done about the Holocaust
*Wall Street Journal*

Maus is a book that cannot be put down, truly, even to sleep...when you finish Maus, you are unhappy to have left that magical world and long for the sequel that will return you to it
*Umberto Eco*

A remarkable feat of documentary detail and novelistic vividness...an unfolding literary event
*New York Times Book Review*

The Pulitzer Prize-winning Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in 'drawing us closer to the bleak heart of the Holocaust'
*New York Times*

A quiet triumph, moving and simple - impossible to describe accurately, and impossible to achieve in any medium but comics
*Washington Post*

All too infrequently, a book comes along that' s as daring as it is acclaimed. Art Spiegelman's Maus is just such a book
*Esquire*

A remarkable work, awesome in its conception and execution... at one and the same time a novel, a documentary, a memoir, and a comic book. Brilliant, just brilliant
*Jules Feiffer*

Maus is a masterpiece, and it's in the nature of such things to generate mysteries, and pose more questions than they answer. But if the notion of a canon means anything, Maus is there at the heart of it. Like all great stories, it tells us more about ourselves than we could ever suspect
*Philip Pullman*

Spiegelman's Maus changed comics forever. Comics now can be about anything
*Alison Bechdel*

Reading [his work] has been an amazing lesson in storytelling
*Etgar Keret*

It can be easy to forget how much of a game-changer Maus was.
*Washington Post*

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Customer Reviews
4.58 out of 5 | From 238,327 Goodreads Ratings

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By Mark on August 15, 2007
The Complete Maus brings together the entire series of Art Spiegelman's confronting graphic novel depiction of Nazi genocide. While dismissed by many due to its usage of animals to represent the victims and victimisers of genocide, it is exactly this cartoon depiction that almost strangely aids in the understanding of such a tragedy. Far from diminshing the victims of Nazi genocide, Maus seems instead to expose something raw and painful in the figures of the tortured mice on its pages.
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By Anonymous on January 8, 2022
Powerful graphic which helps people understand the tragic events of the holocaust.
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By Marianne on February 25, 2018
The Complete Maus is a Pulitzer Prize winning graphic novel by American editor and comics artist, Art Spiegelman. It is a memoir in comic form that documents recollections of the holocaust, as told by Spiegelman’s father, Polish Jew Władysław (Zeev/Wladek/Vladek) Spiegelman. The story itself is one that has been told countless times, but Spiegelman’s treatment of it makes it unique. As well as his father’s recollections, he illustrates the passing of the story between father and son, thus inserting himself (including his impatience and ingratitude) into the story. Maus I (My Father Bleeds History) runs from mid-1930s to winter 1944 and details his parents’ courtship and their experience of the war, through the German occupation and being rounded up to live in the ghetto, up until they were taken to Auschwitz. Maus II (And here my troubles began) is divided into five chapters and runs from winter 1944 until the immediate post-war period, with Artie’s history taking finishing with his father’s death. It covers his parents’ time in Auschwitz, displacement camps and their eventual reunion. As with all graphic novels, it can be difficult to distinguish between characters, especially when most of them have the head of a mouse, and sometimes the speech balloons are so small that they make reading the dialogue a challenge, particularly for readers of a certain vintage. But it is immediately clear that a great deal of work has gone into this work, and Spiegelman is obviously a very talented graphic artist, telling an important story.
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By Danielle on January 24, 2014
fantastic and moving holocaust tale told in an original and compelling way, brilliant!
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