The opening scene of Anderson's ambitious novel about the yellow fever epidemic that ravaged Philadelphia in the late 18th century shows a hint of the gallows humour and insight of her previous novel, Speak. Sixteen-year-old Matilda "Mattie" Cook awakens in the sweltering summer heat on August 16th, 1793, to her mother's command to rouse and with a mosquito buzzing in her ear. Of course not." Mattie's wit again shines through several chapters later during a visit to her wealthy neighbours' house, the Ogilvies. Dash it all"). But thereafter, Mattie's character development, as well as those of her grandfather and widowed mother, takes a back seat to the historical details of Philadelphia and environs. Extremely well researched, Anderson's novel paints a vivid picture of the seedy waterfront, the devastation the disease wreaks on a once thriving city, and the bitterness of neighbour toward neighbour as those suspected of infection are physically cast aside. However, these larger scale views take precedence over the kind of intimate scenes that Anderson crafted so masterfully in Speak. Scenes of historical significance, such as George Washington returning to Philadelphia, then the nation's capital, to signify the end of the epidemic are delivered with more impact than scenes of great personal significance to Mattie. Ages 10-14. (Sept.)
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.
The opening scene of Anderson's ambitious novel about the yellow fever epidemic that ravaged Philadelphia in the late 18th century shows a hint of the gallows humour and insight of her previous novel, Speak. Sixteen-year-old Matilda "Mattie" Cook awakens in the sweltering summer heat on August 16th, 1793, to her mother's command to rouse and with a mosquito buzzing in her ear. Of course not." Mattie's wit again shines through several chapters later during a visit to her wealthy neighbours' house, the Ogilvies. Dash it all"). But thereafter, Mattie's character development, as well as those of her grandfather and widowed mother, takes a back seat to the historical details of Philadelphia and environs. Extremely well researched, Anderson's novel paints a vivid picture of the seedy waterfront, the devastation the disease wreaks on a once thriving city, and the bitterness of neighbour toward neighbour as those suspected of infection are physically cast aside. However, these larger scale views take precedence over the kind of intimate scenes that Anderson crafted so masterfully in Speak. Scenes of historical significance, such as George Washington returning to Philadelphia, then the nation's capital, to signify the end of the epidemic are delivered with more impact than scenes of great personal significance to Mattie. Ages 10-14. (Sept.)
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Laurie Halse Anderson is a New York Times bestselling author known for tackling tough subjects with humor and sensitivity. She's twice been a National Book Award finalist, for Chains and Speak; Chains also received the 2009 Scott O'Dell Award for Historical Fiction. Laurie was chosen for the 2009 Margaret A. Edwards Award and received the Astrid Lindgren Memorial Award in 2023, presented to her by the Crown Princess of Sweden. She lives in Pennsylvania, and you can follow her adventures on X (previously known as Twitter) @HalseAnderson or visit her at MadWomanintheForest.com.
School Library Journal starred review Readers will be drawn in by
the characters and will emerge with a sharp and graphic picture of
another world.
The New York Times Book Review A gripping story about living
morally under the shadow of rampant death.
The New York Times Book Review The plot rages like the epidemic
itself.
VOYA A vivid work, rich with well-drawn characters.
School Library Journal starred review Readers will be drawn
in by the characters and will emerge with a sharp and graphic
picture of another world.
The New York Times Book Review A gripping story about living
morally under the shadow of rampant death.
The New York Times Book Review The plot rages like the
epidemic itself.
VOYA A vivid work, rich with well-drawn characters.
The opening scene of Anderson's ambitious novel about the yellow fever epidemic that ravaged Philadelphia in the late 18th century shows a hint of the gallows humor and insight of her previous novel, Speak. Sixteen-year-old Matilda "Mattie" Cook awakens in the sweltering summer heat on August 16th, 1793, to her mother's command to rouse and with a mosquito buzzing in her ear. She shoos her cat from her mother's favorite quilt and thinks to herself, "I had just saved her precious quilt from disaster, but would she appreciate it? Of course not." Mattie's wit again shines through several chapters later during a visit to her wealthy neighbors' house, the Ogilvies. Having refused to let their serving girl, Eliza, coif her for the occasion, Mattie regrets it as soon as she lays eyes on the Ogilvie sisters, who wear matching bombazine gowns, curly hair piled high on their heads ("I should have let Eliza curl my hair. Dash it all"). But thereafter, Mattie's character development, as well as those of her grandfather and widowed mother, takes a back seat to the historical details of Philadelphia and environs. Extremely well researched, Anderson's novel paints a vivid picture of the seedy waterfront, the devastation the disease wreaks on a once thriving city, and the bitterness of neighbor toward neighbor as those suspected of infection are physically cast aside. However, these larger scale views take precedence over the kind of intimate scenes that Anderson crafted so masterfully in Speak. Scenes of historical significance, such as George Washington returning to Philadelphia, then the nation's capital, to signify the end of the epidemic are delivered with more impact than scenes of great personal significance to Mattie. Ages 10-14. (Sept.) Copyright 2000 Cahners Business Information.
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