'Only in Russia is poetry respected - it gets people killed. Is there anywhere else where poetry is so common a motive for murder?'
- Osip Mandelstam
Nadezhda Mandelstam's famous memoir of her husband, the poet Osip Mandelstam, who died in Stalin's terror
A harrowing yet uplifting account of Stalin's persecution of the Russian intelligentsia in the 1930s, and of one man - Osip Mandelstam (1891-1938), whose poetry, in spite of the unfolding tragedy of his life, preserved its unique creative gaiety. Nadezhda and Osip Mandelstam married in 1922. Nadezhda's memoir covers their last four years together. She begins in Moscow in May 1934 with the knock on the door at one o'clock in the morning, and her husband's arrest by the secret police for composing a satire of Stalin. She tells of his imprisonment, interrogation and exile to the Urals, where she accompanied him, and where he wrote his last great poems; his release and return to Moscow, only to be entrapped, rearrested and sentenced to hard labour in Siberia; of her own efforts to secure his release and to save his manuscripts (and to memorize all his poems in case she could not); of her discovery of the truth about his death in a transit camp near Vladivostock. For all its grim subject matter, it is a story of courage in adversity, and even humour finds a place.
Nadezhda means 'hope' in Russian, and Hope against Hope is one of the greatest testaments to the value of literature and imaginative freedom ever written. It is also a love story that relates the daily struggle to keep both love and art alive in the most desperate circumstances. After years of circulating secretly in the Soviet Union it was published in the West in 1970, and has since achieved the status of a classic.
'Only in Russia is poetry respected - it gets people killed. Is there anywhere else where poetry is so common a motive for murder?'
- Osip Mandelstam
Nadezhda Mandelstam's famous memoir of her husband, the poet Osip Mandelstam, who died in Stalin's terror
A harrowing yet uplifting account of Stalin's persecution of the Russian intelligentsia in the 1930s, and of one man - Osip Mandelstam (1891-1938), whose poetry, in spite of the unfolding tragedy of his life, preserved its unique creative gaiety. Nadezhda and Osip Mandelstam married in 1922. Nadezhda's memoir covers their last four years together. She begins in Moscow in May 1934 with the knock on the door at one o'clock in the morning, and her husband's arrest by the secret police for composing a satire of Stalin. She tells of his imprisonment, interrogation and exile to the Urals, where she accompanied him, and where he wrote his last great poems; his release and return to Moscow, only to be entrapped, rearrested and sentenced to hard labour in Siberia; of her own efforts to secure his release and to save his manuscripts (and to memorize all his poems in case she could not); of her discovery of the truth about his death in a transit camp near Vladivostock. For all its grim subject matter, it is a story of courage in adversity, and even humour finds a place.
Nadezhda means 'hope' in Russian, and Hope against Hope is one of the greatest testaments to the value of literature and imaginative freedom ever written. It is also a love story that relates the daily struggle to keep both love and art alive in the most desperate circumstances. After years of circulating secretly in the Soviet Union it was published in the West in 1970, and has since achieved the status of a classic.
Nothing one can say will either communicate or affect the genius of
this book. To pass judgment on it is almost insolence - even
judgment that is merely celebration and. homage
*The New Yorker*
The witnesses to living on an edge under the tyrant are now many;
none, not even Solzhenitsyn, has written better.
*Doris Lessing*
Hope against Hope puts [Mandelstam] at the centre of the liberal
resistance under the Soviet Union. A masterpiece of prose as well
as a model of bilgraphical narrative and social analysis.
*Clive James*
A Day of Judgment on earth for her age and its literature
*Joseph Brodsky*
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