MAN BOOKER PRIZE FINALIST • A novel all about art's versatility, borrowing from painting’s fresco technique to make an original literary double-take.
"Cements Smith’s reputation as one of the finest and most innovative of our contemporary writers. By some divine alchemy, she is both funny and moving; she combines intellectual rigor with whimsy" —The Los Angeles Review of Books
One of the New York Times’s 100 Best Books of the 21st Century
How to be both is a fast-moving genre-bending conversation between forms, times, truths and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real—and all life’s givens get given a second chance. Passionate, compassionate, vitally inventive and scrupulously playful, Ali Smith’s novels are like nothing else.
MAN BOOKER PRIZE FINALIST • A novel all about art's versatility, borrowing from painting’s fresco technique to make an original literary double-take.
"Cements Smith’s reputation as one of the finest and most innovative of our contemporary writers. By some divine alchemy, she is both funny and moving; she combines intellectual rigor with whimsy" —The Los Angeles Review of Books
One of the New York Times’s 100 Best Books of the 21st Century
How to be both is a fast-moving genre-bending conversation between forms, times, truths and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real—and all life’s givens get given a second chance. Passionate, compassionate, vitally inventive and scrupulously playful, Ali Smith’s novels are like nothing else.
ALI SMITH is the author of many works of fiction, including, most recently, Summer, Spring, Winter, Autumn, Public Library and Other Stories, and How to Be Both, which won the Baileys Women's Prize for Fiction, the Goldsmiths Prize, and the Costa Novel of the Year Award. Her work has been shortlisted four times for the Booker Prize. Most recently, she won the George Orwell Prize for Fiction for Summer. Born in Inverness, Scotland, she lives in Cambridge, England.
WINNER OF THE BAILEYS WOMEN'S PRIZE FOR FICTION • WINNER OF
THE 2014 GOLDSMITHS PRIZE • WINNER OF THE 2014 COSTA NOVEL
AWARD • WINNER OF THE SALTIRE LITERARY BOOK OF THE YEAR
AWARD
One of the New York Times' 100 Best Books of the 21st Century
A Best Book of the Year: NPR, Financial Times
“Playfully brilliant. . . . Delightful. . . . Incredibly touching.”
—The Washington Post
“Magnificent. . . . Brilliant and cheeky.” —The Boston Globe
“[A] sly and shimmering double helix of a novel.” —The New York
Times Book Review
“Joyful. . . . Moving. . . . Encompasses wonderful mothers,
unconventional love and friendship, time, mortality, gender, the
consolations of art and so much else.” —NPR
“A mystery to be marveled at. . . . Smith is endlessly artful,
creating a work that feels infinite in its scope and intimate at
the same time.” —The Atlantic
“Ali Smith is a genius. . . . [How to be both] cements Smith’s
reputation as one of the finest and most innovative of our
contemporary writers. By some divine alchemy, she is both funny and
moving; she combines intellectual rigor with whimsy.” —The Los
Angeles Review of Books
“Captivating. . . . How to be both indeed works both ways,
demonstrating not only the power of art itself but also the mastery
of Smith’s prose.” —San Francisco Chronicle
“A synthesis of questions long contemplated by an extraordinarily
thoughtful author, who succeeds quite well in implanting those
questions into well-drawn, memorable people.” —The New York
Times
“Innovative. . . . The book’s high-concept design is offset by the
beauty, prowess, and range of Smith’s playfully confident, proudly
unconventional prose.” —Elle
“Deft and mischievous, a novel of ideas that folds back on itself
like the most playful sort of arabesque.” —Los Angeles Times
“Ali Smith’s signature themes—of the fluidity of identity and
gender, appearance and perception—are here in profusion, as is her
joyful command of language, from lofty rhetoric to earthy pun.”
—Minneapolis Star Tribune
“Ali Smith is a master storyteller, and How to be both is
a charming and erudite novel that can quite literally make us
rethink the way we read.” —The Philadelphia Inquirer
“An entirely delightful and moving story. . . . When you reach the
end of this playful and wise novel, you want to turn to the
beginning and read it again to piece together its mysteries and
keep both halves simultaneously in mind.” —The Dallas Morning
News
“A wonderfully slippery, postmodern examination of the perception,
gender, loss and the lasting power of art. . . . The sort of book
you could happily read a second time and uncover overlooked truths.
In art as finely crafted as this, there’s always more to see, if
you look.” —The Miami Herald
“Boundless. . . . Exhilarating. . . . Smith’s concerns—in subject
matter and form—are profound and encompassing, and it is beautiful
to watch her books defy pinning down.” —Portland Oregonian
“An inventive and intriguing look into the world of art, love,
choices, and the duality of the human existence. . . . Even though
Smith is writing two very different stories from two different
eras, she does a masterful job of weaving connecting threads
between the two.” —Milwaukee Journal Sentinel
“Wildly inventive. . . . The narrative voice makes the double-take
cohesive, as both are lyrical and fresh. . . . I absolutely adored
this book.” —Laura Creste, Bustle
“Smith’s talent shines brightest in her tender depiction of the
emotions that, like the underpaintings in a fresco, remain hidden
but have a powerful impact.” —BookPage
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