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Waite "Schoolboy" Hoyt's improbable baseball journey began when the 1915 New York Giants signed him as a high school junior, for no pay and a five-dollar bonus. After nearly having both his hands amputated and cavorting with men twice his age in the hardscrabble Minor Leagues, he somehow ended up the best pitcher for the New York Yankees in the 1920s.
Based on a trove of Hoyt's writings and interview transcripts, Tim Manners has reanimated the baseball legend's untold story, entirely in Hoyt's own words. Schoolboy dives straight into early twentieth-century America and the birth of modern-day baseball, as well as Hoyt's defining conflict: should he have pursued something more respectable than being the best pitcher on the 1927 New York Yankees, arguably the greatest baseball team of all time?
Over his 23-year professional baseball career, Hoyt won 237 big-league games across 3,845 ? innings--and 1 locker room brawl with Babe Ruth. He also became a vaudeville star who swapped dirty jokes with Mae West and drank champagne with Al Capone, a philosophizer who bonded with Lou Gehrig over the meaning of life, and a funeral director who left a body chilling in his trunk while pitching an afternoon game at Yankee Stadium.
Hoyt shares his thoughts on famous moments in the golden age of baseball history; assesses baseball legends, including Ty Cobb, Stan Musial, and Pete Rose; and describes the strategies of baseball managers John McGraw, Miller Huggins, and Connie Mack. He writes at length about the art of pitching, and how the game and its players changed--and didn't--over his lifetime. After retiring from baseball at thirty-eight, and coming to terms with his alcoholism, Hoyt found some happiness as a family man and a beloved, pioneering Cincinnati Reds radio sportscaster with a Websterian vocabulary spiked with a Brooklyn accent.
When Hoyt died in 1984 his foremost legacy may have been as a raconteur who punctuated his life story with awe-inspiring and jaw-dropping anecdotes. In Schoolboy he never flinches from an unsparing account of his remarkable and paradoxical eighty-four-year odyssey.
Waite "Schoolboy" Hoyt's improbable baseball journey began when the 1915 New York Giants signed him as a high school junior, for no pay and a five-dollar bonus. After nearly having both his hands amputated and cavorting with men twice his age in the hardscrabble Minor Leagues, he somehow ended up the best pitcher for the New York Yankees in the 1920s.
Based on a trove of Hoyt's writings and interview transcripts, Tim Manners has reanimated the baseball legend's untold story, entirely in Hoyt's own words. Schoolboy dives straight into early twentieth-century America and the birth of modern-day baseball, as well as Hoyt's defining conflict: should he have pursued something more respectable than being the best pitcher on the 1927 New York Yankees, arguably the greatest baseball team of all time?
Over his 23-year professional baseball career, Hoyt won 237 big-league games across 3,845 ? innings--and 1 locker room brawl with Babe Ruth. He also became a vaudeville star who swapped dirty jokes with Mae West and drank champagne with Al Capone, a philosophizer who bonded with Lou Gehrig over the meaning of life, and a funeral director who left a body chilling in his trunk while pitching an afternoon game at Yankee Stadium.
Hoyt shares his thoughts on famous moments in the golden age of baseball history; assesses baseball legends, including Ty Cobb, Stan Musial, and Pete Rose; and describes the strategies of baseball managers John McGraw, Miller Huggins, and Connie Mack. He writes at length about the art of pitching, and how the game and its players changed--and didn't--over his lifetime. After retiring from baseball at thirty-eight, and coming to terms with his alcoholism, Hoyt found some happiness as a family man and a beloved, pioneering Cincinnati Reds radio sportscaster with a Websterian vocabulary spiked with a Brooklyn accent.
When Hoyt died in 1984 his foremost legacy may have been as a raconteur who punctuated his life story with awe-inspiring and jaw-dropping anecdotes. In Schoolboy he never flinches from an unsparing account of his remarkable and paradoxical eighty-four-year odyssey.
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