"So Much Pretty is a fearless first novel," announced The New York Times Book Review, "for all the passion in this intense narrative, Hoffman writes with a restraint that makes poetry of pain."
Set in a rural community steeped in silence and denial, So Much Pretty explores all parents' greatest fear, that their child will be hurt. But it also examines a second, equally troubling question: What if my child hurts someone else? The disappearance and murder of nineteen-year-old Wendy White is detailed through the eyes of journalist Stacy Flynn and a host of other richly drawn characters, each with their own secrets and convictions. After Wendy's body is found, Flynn's intense crusade to expose a killer draws the attention of a precocious local girl, Alice Piper, whose story intertwines with Wendy's in a spellbinding and unexpected climax.
"So Much Pretty is a fearless first novel," announced The New York Times Book Review, "for all the passion in this intense narrative, Hoffman writes with a restraint that makes poetry of pain."
Set in a rural community steeped in silence and denial, So Much Pretty explores all parents' greatest fear, that their child will be hurt. But it also examines a second, equally troubling question: What if my child hurts someone else? The disappearance and murder of nineteen-year-old Wendy White is detailed through the eyes of journalist Stacy Flynn and a host of other richly drawn characters, each with their own secrets and convictions. After Wendy's body is found, Flynn's intense crusade to expose a killer draws the attention of a precocious local girl, Alice Piper, whose story intertwines with Wendy's in a spellbinding and unexpected climax.
Cara Hoffman is the author of the critically acclaimed novels So Much Pretty, Be Safe I Love You, and now, Running. She lives in New York City.
"So Much Pretty is certain to be talked about--not merely because
it is a profound meditation on both public and private violence in
small-town America, but for its captivating storytelling which
draws you in on a visceral level and leaves you feeling haunted, in
the best of ways."--Philipp Meyer, author of American Rust
"So Much Pretty is everything I love in a novel--dark, fascinating,
beautifully written, impossible to put down. It marks the beginning
of what promises to be an indelible literary career for Cara
Hoffman."--Lauren Grodstein, author of A Friend of the Family and
Reproduction is the Flaw of Love
"A spectacular debut: This beautifully constructed mystery, with
its engaging characters and intriguing premise, has everything a
reader wants."--The Globe and Mail (Canada)
"An extraordinarily smart and beautifully written page turner. . .
. suspenseful and highly charged . . . Hoffman passionately blends
the issue of violence against women that lurks unacknowledged at
the dark edges of our culture with a narrative that paints a grim
picture of any-town America. Hoffman's literary voice is a force
and this novel will leave you reeling."--Powells.com
"Both haunting and moving . . . It's impossible not to be changed
after reading this book."--Truth-out.org
"In this polyphonic wonder of a book, Cara Hoffman will keep you
reading into the wee hours of the night. So Much Pretty is a
riveting and disturbing novel about the accommodations we make for
violence and the human need for justice. Hoffman gets every detail
right, and she seems to miss nothing. So Much Pretty is the
impressive debut of a fierce novelist."--Dana Spiotta, National
Book Award-nominated author of Stone Arabia
"The theme of So Much Pretty is innocence lost and idealism gone
wrong. . . . In the rundown little town of Haeden, things are never
what they seem, as the tone of the novel grows more sinister and a
young woman disappears. . . . The pace quickens as Hoffman brings
the story to its dark and chilling conclusion. VERDICT: This
gripping novel asks readers to judge whether a horrible crime can
ever justify a terrible act of revenge. It will engage individuals
and book groups interested in debating this tough topic."--Library
Journal
"This beautiful, stealthy novel creeps up on the mesmerized reader,
subtly drawing new strands into itself until what begins as the
suspenseful story of a rural American murder grows into a dark,
disquieting and urgently fascinating examination of the violence
and concealment practiced by a whole society. . . Hoffman never
surrenders the compassion, insightfulness and humor that make her a
masterful navigator of the human heart. This is an impassioned,
intelligent and important work of art."--Chris Cleave, #1 New York
Times bestselling author of Little Bee and Incendiary
"So Much Pretty is a haunting, gloomy novel that defies genre -- it
is one part crime thriller, one part ambitious novel, one part
prose poem. . . . [The novel] raises questions about denial,
violence against women and when a citizen should speak up, even if
it puts another at risk."--NPR.org
"So Much Pretty unravels a narrative that's rich with suspense and
moral complexity. Delicately balancing two story lines, Cara
Hoffman dramatizes a death and a disappearance. Along the way, we
get caught up in her portraits of those who belong, those who
don't, and the irreversible consequences of lives coming together.
This story of violence begetting violence is a fine debut."--Lee
Martin, author of The Bright Forever, a finalist for the Pulitzer
Prize
"So Much Pretty delivers a skillful, psychologically acute tale of
how violence affects a small town . . . To say more about Hoffman's
constantly surprising story is to reveal too much, but the payoff
is more than worth the slow-building suspense."--Los Angeles
Times
"So Much Pretty is a compelling whodunit, an unnerving portrait of
just what the back of nowhere looks like, and an arresting
meditation on our culture's ongoing acceptance of violence against
women. It's powered by both a despairing tenderness and an
unflinching rage, each of which, as the novel makes heartbreakingly
clear, are more than justified."--Jim Shepard, author of You Think
That's Bad and Like You'd Understand, Anyway
"So Much Pretty is an incredible, important book . . . I think
everyone should read it."--J. Courtney Sullivan, New York Times
bestselling author of Commencement and Maine
"[A] fearless first novel... For all the passion in this intense
narrative, Hoffman writes with a restraint that makes poetry of
pain. She also shows a mastery of her craft by developing the story
over 17 years and narrating it from multiple perspectives. While
each has a different take on the horrific events that no one saw
coming, the people who live in this insular place remain willfully
blind to their own contributions to the deeper causes that made
this tragedy almost inevitable."--New York Times Book Review
"A dark but powerful debut . . . Hoffman maps the atmosphere of
paranoia that descends on the formerly tranquil town as she moves
deftly between its inhabitants."--The New Yorker (Books Pick)
"A haunting suspense novel about a murder mystery based on a
real-life missing-persons case."--Entertainment Weekly, #3 on "The
Must List"
"A mixture of The Lovely Bones and The Girl with the Dragon Tattoo
. . . Hoffman's narrative oscillates between various characters,
carefully building suspense, depth, and new insight with every
chapter. Let's hope we will be seeing more of this talented new
writer."--Booklist
"A passionately angry, poetic, intelligent and shocking book. Cara
Hoffman not only discovers the heart of darkness in small town
Haeden, but brilliantly dissects it."--Rosamund Lupton, New York
Times bestselling author of Sister
"Captivating . . . Hoffman's careful weaving of each storyline is
seamless. . . . The eyewitness accounts, and police interviews
provide the most compelling material, as Hoffman creates a
magnificent buildup to the conclusion. The story slowly evolves,
making the reader anxious, and posing the question, does an act of
vengeance equal justice?"--Manhattan Literature Examiner
(Examiner.com)
"Cara Hoffman has written an intriguing, tangled puzzle of a novel
that defies categorization. . . . As haunting and disturbing as
Alice Sebold's Lovely Bones. . . . So Much Pretty will be equally
provocative and unforgettable for teen readers, especially those
who love solving a good puzzle."--School Library Journal
"Hoffman takes on the poverty, drug abuse, environmental disasters
and violence against women that are endemic to a small town in
upstate New York. And she does it brilliantly, in stark and poetic
prose, expressing a variety of viewpoints on the murder around
which the story turns. And she does it in a way that lodges in the
corner of your mind and just won't leave. . . . Alice Piper just
may be the blonder, less-punk version of Lisbeth Salander, that
girl of the dragon tattoo. . . . Everything counts in Hoffman's
toned work, as even the tiniest plot point becomes important to the
unfolding narrative. Pay attention to So Much Pretty. It's
mesmerizing."--New Orleans Times-Picayune
"In this remarkable debut, Hoffman addresses serious injustices in
present-day America. . . . This searing novel will linger long in
the reader's memory."--Publishers Weekly (starred review)
"Perspective is a funny thing. It can make a small farm community
in upstate New York seem isolating and suffocating for one person,
a liberating paradise for another. In Cara Hoffman's debut novel,
So Much Pretty, this jarring disconnect is one of the story's most
intriguing undercurrents. . . . the novel effectively frames a
compelling murder mystery with provocative, troubling issues,
exploring adolescent violence, the victimization of women, revenge,
and societal pressure to favor the good of the community over the
rights of the individual. . . . Hoffman ambitiously mines fertile,
controversial ground and asks a lot of tough, unanswerable
questions; the most heartrending is simply, 'Why?'"--The Boston
Globe
"The way investigative reporter Hoffman navigates the line between
what is spoken and unspoken, and portrays a community's desire to
address any crisis but the one next door make So Much Pretty a
staggering read."--Huffington Post
"Very good and very hard to put down . . . If we're forcing
comparisons, I'd add . . . Daniel Woodrell's 2006 novel Winter's
Bone for the hardscrabble grit of Smalltown, USA. . . . So Much
Pretty looks searingly at the questions of justice and revenge.
Many readers will find some of the answers shocking."--January
Magazine
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