Selected by the Modern Library as one of the 100 best novels of all time
With an Introduction by Joyce Carol Oates
foreword by the author
Commentary by Carl van Doren, Rebecca West,
Aldous Huxley, and Henry Miller
It is . . . the world of the poets and the preponderance of the poet in [Lawrence] that is the key to his work. He magnified and deepened experience in the manner of a poet," wrote Anaïs Nin in 1934.
Privately printed in 1920 and published commercially in 1921, Women in Love is the novel Lawrence himself considered his masterpiece. Set in the English Midlands, the novel traces the lives of two sisters, Ursula and Gudrun, and the men with whom they fall in love. All four yearn for fufillment in their romantic lives, yet struggle in a world that is increasingly violent and destructive. Commenting on the novel, which was composed in the midst of the First World War in 1916, Lawrence wrote, "The bitterness of the war may be taken for granted in the characters." Rich in symbolism and lyrical prose, Women in Love is a complex meditation on the meaning of love in the modern world.
To the critic Alfred Kazin, "No other writer of [Lawrence's] imaginative standing has in our time written books that are so open to life."
D. H. LAWRENCE (1885-1930), the son of a coal miner and a lace worker, completed his formal studies at University College, Nottingham, in 1908 and began teaching at a boys' school. By 1912, he had abandoned teaching to write full-time. His novels include The White Peacock (1911), The Trespasser (1912), Sons and Lovers (1913), The Rainbow (1915), Women in Love (1920), The Plumed Serpent (1926), and Lady Chatterley's Lover (1928), which was banned as pornographic in England until 1960.
David Ellis is the author of Lawrence's Non-Fiction: Art, Thought and Genre and Wordsworth, Freud and the Spots of Time. He has been commissioned to write Volume HI of the New Cambridge biography of Lawrence.
Show moreSelected by the Modern Library as one of the 100 best novels of all time
With an Introduction by Joyce Carol Oates
foreword by the author
Commentary by Carl van Doren, Rebecca West,
Aldous Huxley, and Henry Miller
It is . . . the world of the poets and the preponderance of the poet in [Lawrence] that is the key to his work. He magnified and deepened experience in the manner of a poet," wrote Anaïs Nin in 1934.
Privately printed in 1920 and published commercially in 1921, Women in Love is the novel Lawrence himself considered his masterpiece. Set in the English Midlands, the novel traces the lives of two sisters, Ursula and Gudrun, and the men with whom they fall in love. All four yearn for fufillment in their romantic lives, yet struggle in a world that is increasingly violent and destructive. Commenting on the novel, which was composed in the midst of the First World War in 1916, Lawrence wrote, "The bitterness of the war may be taken for granted in the characters." Rich in symbolism and lyrical prose, Women in Love is a complex meditation on the meaning of love in the modern world.
To the critic Alfred Kazin, "No other writer of [Lawrence's] imaginative standing has in our time written books that are so open to life."
D. H. LAWRENCE (1885-1930), the son of a coal miner and a lace worker, completed his formal studies at University College, Nottingham, in 1908 and began teaching at a boys' school. By 1912, he had abandoned teaching to write full-time. His novels include The White Peacock (1911), The Trespasser (1912), Sons and Lovers (1913), The Rainbow (1915), Women in Love (1920), The Plumed Serpent (1926), and Lady Chatterley's Lover (1928), which was banned as pornographic in England until 1960.
David Ellis is the author of Lawrence's Non-Fiction: Art, Thought and Genre and Wordsworth, Freud and the Spots of Time. He has been commissioned to write Volume HI of the New Cambridge biography of Lawrence.
Show moreDavid Ellis is the author of Lawrence's Non-Fiction- Art, Thought and Genre and Wordsworth, Freud and the Spots of Time. He has been commissioned to write Volume HI of the New Cambridge biography of Lawrence.
The published editions of Women in Love , probably Lawrence's greatest novel, have always been remarkably corrupt due to a lengthy, complex process of revision and transcription, a threatened libel suit, and numerous unauthorized bowdlerizations. The editors of this new Cambridge Edition have labored scrupulously to produce an authoritative text. What emerges, if not dramatically different, is fresher and more immediate. The introduction provides a valuable history of the novel's composition, revision, publication, and reception, and though the elaborate textual apparatus is strictly for advanced students of bibliography, the notes are splendid. Lawrence's 1919 Foreword and two early discarded chapters are also included. The recovery of a modern classic. Keith Cushman, Univ. of North Carolina, Greensboro
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