| Album: Les Musiques de Louis XIV 1: Du Salon A L'Eglise | ||||
|---|---|---|---|---|
| # | Song Title | Time | ||
| 1) | Te Deum, motet for 8 voices, chorus & orchestra, H. 146: Pr‚lude en Rondeau | |||
| 2) | Te Deum, motet for 8 voices, chorus & orchestra, H. 146: Te aeternum Pater, omnis terra veneratur | |||
| 3) | Te Deum, motet for 8 voices, chorus & orchestra, H. 146: Tu devicto mortis aculeo, aperuisti credent | |||
| 4) | Te Deum, motet for 8 voices, chorus & orchestra, H. 146: In te Domone speravi: non confundar in aete | |||
| 5) | Psalm 125 "In Convertendo Dominus," grand motet: Tunc repletum | |||
| 6) | Cloches ou Carillons, for viola da gamba & continuo in D minor (PiŠces de viole, Book II, No. 38) | |||
| 7) | Work(s): Suite en r‚ mineur: Allemande | |||
| 8) | Work(s): Suite en r‚ mineur: Sarabande | |||
| 9) | Saillie du Caff‚ et double, for viola da gamba & continuo in C major (PiŠces de viole, Book III, Nos | |||
| 10) | Plainte, for viola da gamba & continuo in D major (PiŠces de viole, Book III, No. 55) | |||
| 11) | Mors Salis et Jonathae, histoire sacr‚e, for 8 voices, chorus, 2 violins & continuo, H. 403: Rumor | |||
| 12) | Menuet et Autre menuet, for 2 flutes & bass viol, H. 541 | |||
| 13) | Caprice por trois violons, for 2 violins & bass viol, H. 542 | |||
| 14) | O Juda, o Juda, neuviŠme r‚pons aprŠs la troisiŠme le‡on du troisiŠme nocturne, motet for 2 voices & | |||
| 15) | In honorem Sancti Ludovici Regis Galliae Canticum, motet for 3 voices, chorus, 2 flutes, oboe & cont | |||
| 16) | Suscepit Israel, for keyboard (from Antiphonaire des Invalides) | |||
| 17) | Suite for theorbo in D minor: Sarabande | |||
| 18) | Eram quasi agnus, cinquiŠme r‚pons aprŠs la deuxiŠme le‡on du second nocturne, motet for high sopran | |||
| 19) | La Plainte, Tombeau des Mesdemoiselles de Vis‚e, for theorbo | |||
| Album: Les Musiques de Louis XIV 1: Du Salon A L'Eglise | ||||
|---|---|---|---|---|
| # | Song Title | Time | ||
| 1) | Te Deum, motet for 8 voices, chorus & orchestra, H. 146: Pr‚lude en Rondeau | |||
| 2) | Te Deum, motet for 8 voices, chorus & orchestra, H. 146: Te aeternum Pater, omnis terra veneratur | |||
| 3) | Te Deum, motet for 8 voices, chorus & orchestra, H. 146: Tu devicto mortis aculeo, aperuisti credent | |||
| 4) | Te Deum, motet for 8 voices, chorus & orchestra, H. 146: In te Domone speravi: non confundar in aete | |||
| 5) | Psalm 125 "In Convertendo Dominus," grand motet: Tunc repletum | |||
| 6) | Cloches ou Carillons, for viola da gamba & continuo in D minor (PiŠces de viole, Book II, No. 38) | |||
| 7) | Work(s): Suite en r‚ mineur: Allemande | |||
| 8) | Work(s): Suite en r‚ mineur: Sarabande | |||
| 9) | Saillie du Caff‚ et double, for viola da gamba & continuo in C major (PiŠces de viole, Book III, Nos | |||
| 10) | Plainte, for viola da gamba & continuo in D major (PiŠces de viole, Book III, No. 55) | |||
| 11) | Mors Salis et Jonathae, histoire sacr‚e, for 8 voices, chorus, 2 violins & continuo, H. 403: Rumor | |||
| 12) | Menuet et Autre menuet, for 2 flutes & bass viol, H. 541 | |||
| 13) | Caprice por trois violons, for 2 violins & bass viol, H. 542 | |||
| 14) | O Juda, o Juda, neuviŠme r‚pons aprŠs la troisiŠme le‡on du troisiŠme nocturne, motet for 2 voices & | |||
| 15) | In honorem Sancti Ludovici Regis Galliae Canticum, motet for 3 voices, chorus, 2 flutes, oboe & cont | |||
| 16) | Suscepit Israel, for keyboard (from Antiphonaire des Invalides) | |||
| 17) | Suite for theorbo in D minor: Sarabande | |||
| 18) | Eram quasi agnus, cinquiŠme r‚pons aprŠs la deuxiŠme le‡on du second nocturne, motet for high sopran | |||
| 19) | La Plainte, Tombeau des Mesdemoiselles de Vis‚e, for theorbo | |||
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