Preface
Introduction
"PIRACY"
Chapter One: Creators
Chapter Two: "Mere Copyists"
Chapter Three: Catalogs
Chapter Four: "Pirates"
Film
Recorded Music
Radio
Cable TV
Chapter Five: "Piracy"
Piracy I
Piracy II
"PROPERTY"
Chapter Six: Founders
Chapter Seven: Recorders
Chapter Eight: Transformers
Chapter Nine: Collectors
Chapter Ten: "Property"
Why Hollywood Is Right
Beginnings
Law: Duration
Law: Scope
Law and Architecture: Reach
Architecture and Law: Force
Market: Concentration
Together
"PUZZLES"
Chapter Eleven: Chimera
Chapter Twelve: Harms
Constraining Creators
Constraining Innovators
Corrupting Citizens
"BALANCES"
Chapter Thirteen: Eldred
Chapter Fourteen: Eldred II
Conclusion
AFTERWORD
Us, Now
Rebuilding Freedoms Previously Presumed: Examples
Rebuilding Free Culture: One Idea
Them, Soon
1. More Formalities
Registration and Renewal
Marking
2. Shorter Terms
3. Free Use Vs. Fair Use
4. Liberate the Music - Again
5. Fire Lots of Lawyers
Notes
Acknowledgments Index
Lawrence Lessig is a professor at Stanford Law School and the founder of the Stanford Center for Internet and Society. The author of The Future of Ideas and Code and Other Laws of Cyberspace, he is the chair of the Creative Commons project. A graduate of the University of Pennsylvania, Cambridge University, and Yale Law School, he has clerked for Judge Richard Posner of the U.S. 7th Circuit Court of Appeals and Judge Antonin Scalia of the U.S. Supreme Court.
"A powerfully argued and important analysis... surprisingly entertaining." —The New York Times Book Review"An entertaining and important look at the past and future of the cold war between the media industry and new technologies." —Marc Andreessen, cofounder of Netscape
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