Part 1 Everyday Life Chapter 2 A Flâneur through Bucharest at the End of the Twentieth Century Chapter 3 Discourses, Identities, and Practices of Everyday Life Part 4 Popular Culture Chapter 5 Aesthetics and Politics: From "Socialist Realism" to "Postcommunist Carnivalesque" Chapter 6 "Blue Jeans Generation" and "Generation PRO": Youth, Pop Culture, and Politics Chapter 7 Popular Culture and the Discourse of Hate: The Case of Anti-Semitism Part 8 Gender and Sexuality Chapter 9 The Postcommunist Feminine Mystique: Women as Subjects, Women and Politics Chapter 10 Between Ars Erotica and Scientia Sexualis: Queer Subjectivity and the Discourse of Sex
Denise Roman is a visiting scholar with the UCLA Center for the Study of Women.
Ms. Roman is anything but a detached traveler, although she does
bring to her writing a most insightful and often amusing account of
the state of politics and identity in Bucharest. But this is
politics and identity in no common understanding of those terms.
Skillfully teasing her own innovative interpretations from the
insights of historians, sociologists, political, feminist, and
cultural theorists, Ms. Roman . . . dismantle[s] old conceptions
and convincingly reconstruct[s] new ones about the 'politics of
life' in Eastern Europe today. By brilliantly bringing together
disparate strands of thought in truly innovative, provocative, and
sometimes even sly ways, she has written not only an outstanding
piece of academic scholarship, but a real 'page turner.'
*Debra Renee Kaufman, Northeastern University; author of Rachel's
Daughters*
In this important book Denise Roman takes us to an exciting journey
through 1980s and 1990s Bucharest. Her analysis of experiences and
practices of the everyday life of women, youth, and queers leaves
the reader with a deeper understanding of the complexity of the
economic, political, and social changes the Eastern European
societies underwent as they emerged from Communism.
*Gordana Rabrenovic, Northeastern University*
Roman has managed to do what only a handful of scholars have even
attempted: to bring the study of Romania squarely within the field
of cultural studies. Rather than treat Romania as an exotic
exception, Roman shows how constructed social identities—of gender,
sexual orientation, generation, and even aesthetic taste—exhibit
recognizable patterns. Her walk through the complicated landscape
of Bucharest and the country at large is not only a nuanced and
readable work on one country's postcommunist experience; it is also
a smart and often funny example of cultural theory in action.
*Charles King, Ion Ratiu Associate Professor of Romanian Studies,
Georgetown University; author of The Moldovans: Romania, Russia,
and the Politics of Culture*
This book is recommended for those who are interested in
transnational, feminist and queer studies, identity politics, and
subject formation as well as for those interested specifically in
post-communist studies, particularly Romanian....An enjoyable read,
Roman's book interweaves her theorizations with vivid descriptions
and colorful anecdotes to make the tensions, negotiations, and
struggles for identity visceral for the reader and
thought-provoking for a wide audience.
*Women's Studies International Forum*
The subsequent chapters, dedicated in turn to each of these topics,
provide useful, theoretically informed, and, largely accurate
accounts of the empirical reality a flaneur, or flaneuse, might
encounter.
*International Feminist Journal of Politics, September 2008*
A good introduction to aspects of postcommunist culture in
Romania.... The author, both an insider (as a native of Bucharest)
and an outsider (as an American academic) has a special
perspective...that gives her special insight into not only Romanian
culture, but also Western European and American academic practices
vis-a-vis Eastern European issues, especially the gender
problematic.
*Slavic and East European Journal*
Denise Roman's fine book should be read as a kind of 'flânerie',
expressing the feel of everyday personal life in post-1989 Romania,
but it also displays solid methodological reflection and scholarly
culture. The way in which it moves between these two dimensions,
between theory and lived experience, is what gives the study its
special charm—even for a non-specialist reader.
Denise Roman places post-1989 Romania on view for us, a society
taken apart, a society resisting without any object of resistance,
attached to a golden age without a golden age that can be located
anywhere, clinging to a dream of the West while at the same time
rejecting that West. Romania experiences itself as ringed with
shadows: there is the figure of the Jew who embodies Evil, the
Other as Evil. Women are lost between the imagined calm of a return
to the home and a militant feminism of the Anglo-American kind.
These women speak a great deal through the author's pen: they speak
humor, self-hatred, a need to leave—to leave for somewhere else.
They are real women, and the author has been able to hear what they
say from within their private lives.
Denise Roman's extreme talent is what is needed to infuse knowledge
with feeling, as she puts her heart into studying the course of a
country with seemingly no clearly defined plans for the future,
carried along by a hybrid identity.
This book is an indispensable means of illuminating the complex
tensions of a Romanian identity driven both to banalize and to
reject integration. The author has been able to set before us the
East European combination of dynamism and conservatism: she is the
guide who walks with serious mien and poses questions, at the bends
in the road.
*Catherine Durandin, The National Institute of Oriental Languages
and Literatures, Paris*
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