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Debussy Redux
The Impact of His Music on Popular Culture (Musical Meaning and Interpretation)

Rating
Format
Hardback, 248 pages
Published
United States, 9 April 2012



The works of Claude Debussy (1862-1918) had a major impact on the musicof the 20th century, influencing a range of figures from Ravel and Stravinsky toHenri Dutilleux and Toru Takemitsu. Less well known is Debussy's influence on thepopular culture of the period. Matthew Brown shows how Debussy's music has surfacedin an array of contexts from the film music of the 1940s to the dance music of the1990s. It is easy to see how Debussy's impressionist soundscapes for orchestra suchas La Mer and Iberia could be perfect models for accompaniments to film scenes, butas Brown makes clear Debussy's music and influence cannot by reduced to dreamyimitations of Clair de Lune. As he traces the trajectory of Debussy's stylisticevolution, Brown shows how facets of this style were reinterpreted in a surprisingvariety of popular musical contexts.



Acknowledgements

Introduction: Debussy's Legacy

1. From Parisian Salon to Billboard Phenom

2. The Medium and the Message

3. Lights, Camera, Soundtrack!

4. In the Moog

5. "YoBaudelaire!"

6. The Schlock of the New

7. Assez Lent or Allegro non troppo?

8. Other Cultures, Other Sounds

Afterword: High and Low

Bibliography

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Product Description



The works of Claude Debussy (1862-1918) had a major impact on the musicof the 20th century, influencing a range of figures from Ravel and Stravinsky toHenri Dutilleux and Toru Takemitsu. Less well known is Debussy's influence on thepopular culture of the period. Matthew Brown shows how Debussy's music has surfacedin an array of contexts from the film music of the 1940s to the dance music of the1990s. It is easy to see how Debussy's impressionist soundscapes for orchestra suchas La Mer and Iberia could be perfect models for accompaniments to film scenes, butas Brown makes clear Debussy's music and influence cannot by reduced to dreamyimitations of Clair de Lune. As he traces the trajectory of Debussy's stylisticevolution, Brown shows how facets of this style were reinterpreted in a surprisingvariety of popular musical contexts.



Acknowledgements

Introduction: Debussy's Legacy

1. From Parisian Salon to Billboard Phenom

2. The Medium and the Message

3. Lights, Camera, Soundtrack!

4. In the Moog

5. "YoBaudelaire!"

6. The Schlock of the New

7. Assez Lent or Allegro non troppo?

8. Other Cultures, Other Sounds

Afterword: High and Low

Bibliography

Show more
Product Details
EAN
9780253357168
ISBN
0253357160
Other Information
Illustrated
Dimensions
23.6 x 15.8 x 1.8 centimetres (0.47 kg)

Table of Contents

Acknowledgements
Introduction: Debussy's Legacy
1. From Parisian Salon to Billboard Phenom
2. The Medium and the Message
3. Lights, Camera, Soundtrack!
4. In the Moog
5. "YoBaudelaire!"
6. The Schlock of the New
7. Assez Lent or Allegro non troppo?
8. Other Cultures, Other Sounds
Afterword: High and Low
Bibliography

Promotional Information

Debussy's music in the context of pop culture

About the Author

Matthew Brown is Professor of Music Theory at the Eastman School of Music, University of Rochester. He is the author of Explaining Tonality, Debussy's Iberia, and articles in Integral, Music Theory Spectrum, Understanding Rock, and Journal of Musicology, among others.

Reviews

"This is a model work of impeccable scholarship; it explores a vital topic with an original approach." - Walter T. Everett, Professor of Music, University of Michigan "In a study that is both scholarly and highly entertaining, Matthew Brown explores pop culture's appropriations of Debussy's music in everything from '30s swing tunes, '40s movie scores, '50s lounge/exotica, '70s rock and animation, '80s action films, and Muzak. The book, however, is far more than a compendium of fascinating borrowings. The author uses these musical transfers to tackle some of the most fundamental aesthetic issues relevant to the music of all composers, not just Debussy. A very stimulating and provocative book - and a great pleasure to read." - David Grayson, Professor of Music, University of Minnesota

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