An extraordinary selection of revealing letters to and from one of the titans of 20th-century music
Leonard Bernstein was a charismatic and versatile musician-a brilliant conductor who attained international super-star status, and a gifted composer of Broadway musicals (West Side Story), symphonies (Age of Anxiety), choral works (Chichester Psalms), film scores (On the Waterfront), and much more. Bernstein was also an enthusiastic letter writer, and this book is the first to present a wide-ranging selection of his correspondence. The letters have been selected for the insights they offer into the passions of his life-musical and personal-and the extravagant scope of his musical and extra-musical activities. Bernstein's letters tell much about this complex man, his collaborators, his mentors, and others close to him. His galaxy of correspondents encompassed, among others, Aaron Copland,Stephen Sondheim, Jerome Robbins, Thornton Wilder, Boris Pasternak, Bette Davis, Adolph Green, Jacqueline Kennedy Onassis, and family members including his wife Felicia and his sister Shirley. The majority of these letters have never been published before. They have been carefully chosen to demonstrate the breadth of Bernstein's musical interests, his constant struggle to find the time to compose, his turbulent and complex sexuality, his political activities, and his endless capacity for hard work. Beyond all this, these writings provide a glimpse of the man behind the legends: his humanity, warmth, volatility, intellectual brilliance, wonderful eye for descriptive detail, and humor.
An extraordinary selection of revealing letters to and from one of the titans of 20th-century music
Leonard Bernstein was a charismatic and versatile musician-a brilliant conductor who attained international super-star status, and a gifted composer of Broadway musicals (West Side Story), symphonies (Age of Anxiety), choral works (Chichester Psalms), film scores (On the Waterfront), and much more. Bernstein was also an enthusiastic letter writer, and this book is the first to present a wide-ranging selection of his correspondence. The letters have been selected for the insights they offer into the passions of his life-musical and personal-and the extravagant scope of his musical and extra-musical activities. Bernstein's letters tell much about this complex man, his collaborators, his mentors, and others close to him. His galaxy of correspondents encompassed, among others, Aaron Copland,Stephen Sondheim, Jerome Robbins, Thornton Wilder, Boris Pasternak, Bette Davis, Adolph Green, Jacqueline Kennedy Onassis, and family members including his wife Felicia and his sister Shirley. The majority of these letters have never been published before. They have been carefully chosen to demonstrate the breadth of Bernstein's musical interests, his constant struggle to find the time to compose, his turbulent and complex sexuality, his political activities, and his endless capacity for hard work. Beyond all this, these writings provide a glimpse of the man behind the legends: his humanity, warmth, volatility, intellectual brilliance, wonderful eye for descriptive detail, and humor.
Nigel Simeone is well known as a writer and speaker on music and is the author of several books including Leonard Bernstein: West Side Story. He lives in Northamptonshire, UK.
“With their intellectual brilliance, humour and wonderful eye for
detail, Leonard Bernstein’s letters blow all biographies out of the
water. His galaxy of correspondents includes Stephen Sondheim,
Boris Pasternak and Jacqueline Kennedy. Full of fresh information
and the authentic voice of a constant seeker.”—The Economist (named
a 2013 Book of the Year)
“His collaborator Betty Comden once noted, in a letter to
Bernstein, that he saved ‘every scrap of correspondence.’ You will
be grateful . . . a rich collection of letters to and from
Bernstein, filled with revelations about his musical and personal
lives.”—James R. Oestreich, New York Times
“Bernstein’s versatility and ambition were such that he spent a lot
of time trying to figure out who he was—which also meant searching
for American music and for the future of music generally. This book
doesn’t resolve Bernstein’s quest. But it’s an invaluable resource,
and the quest itself continues to fascinate and to matter.”—Joseph
Horowitz, Wall Street Journal
“A rich selection of letters to and from Bernstein, meticulously
edited by Nigel Simeone. . . . Alive with spontaneous intelligence,
Leonard Bernstein’s letters display exactly this unforced intimacy,
though there were moments when he no doubt knew that posterity was
listening in.”—Morris Dickstein, Times Literary Supplement
“His letters have a tremendous zest, and a good journalistic eye,
too, and since he was often at the right place at the right time,
at some of the key moments in his 20th-century history, this gives
them a wider interest.”—Christopher Hart, Sunday Times
“The correspondence from and to the remarkable conductor is full of
pleasure and insights.”—New York Times Book Review (Editors’
Choice)
“This volume has been handsomely edited, and the decision to
include letters from Bernstein’s correspondents results in a rich
portrayal of a particular age of privilege.”—Philip Hensher, The
Guardian
“Like Britten, Bernstein was an assiduous correspondent, and The
Leonard Bernstein Letters is a vast, absorbing canvas of a life
lived at full speed, with a cast list that reads like a who’s who
of American cultural life in the 20th century.”—Adam Lively, Sunday
Times
“Simeone’s choice of letters [are] superbly amplified by his
exhaustively researched footnotes, which manage to identify and
flesh out even the most obscure of his subject’s multifarious
correspondents.”—Stephen Walsh, The Spectator
“For . . . eloquent and moving testimony read the entry for 25
November 1963 in The Leonard Bernstein Letters edited by Nigel
Simeone, the contents of which give an . . . overview of a liberal
American century.”—Chris Ford, The Guardian
“[A] fascinating selection of correspondence edited by Nigel
Simeone. . . . The Leonard Bernstein Letters is indeed a written
reflection of the man himself—fascinating, discursive, frequently
brilliant.”—Ken Smith, Fontes Artis Musicae
“A marvelously entertaining new book. . . . The Leonard
Bernstein Letters makes it possible to take stock of Bernstein’s
weaknesses—his enthusiasm could lead to sentimentality, and clearly
his fame became a kind of bubble. But these pale in comparison with
his energy, joy, and absolute dedication to music. It’s sad to
think that our culture will probably never produce someone like him
again.”—Adam Kirsch, Tablet magazine
“It is a major, highly accomplished piece of work in its own
right.”—Illtyd Harrington, Camden New Journal
“The Leonard Bernstein Letters . . . contains so much that is
startling and unknown that all past books, including his own,
become instantly inadequate. Don’t take my word for it. On the
jacket, Bernstein’s official biographer, Humphrey Burton, declares
that, with this book in hand, ‘I want to start all over
again.’”—Norman Lebrecht, Standpoint Magazine
“In Nigel Simeone’s editorial labour of love The Leonard Bernstein
Letters some of the most entertaining letters come from Bernstein’s
correspondents.”—Sameer Rahim, Sunday Telegraph
“Opinions [are] expressed with force and often with elegance in his
correspondence with performers, composers, publishers, promoters
and many other else, as revealed in The Leonard Bernstein Letters,
edited by the eminent Bernstein scholar Nigel Simeone.”—Christopher
Morley, Birmingham Post
“The Leonard Bernstein Letters will be pounced upon by aficionados.
. . . Christmas reading doesn’t come any better.”—International
Record Review
“[The] extraordinary archive, The Leonard Bernstein Letters, [is]
edited meticulously by Nigel Simeone.”—Jenni Frazer, Jewish
Chronicle
“[H]ats off to Nigel Simeone for his painstaking research into the
myriad references in Bernstein’s correspondence. Concerts,
recordings, broadcasts, travel dates, parties, you name it, they
are all meticulously recorded in the brilliant footnotes to this
large collection of letters. . . . A magisterial survey.”—Fiona
Clampin, Classical Music
“Top of my list for music books this Christmas has to be the new
compendium of Leonard Bernstein’s collected letters which are
brilliantly written, seriously engaging, and strangely
contradictory, in the way that Bernstein was himself a mass of
fascinating contradictions—egocentric/loving, boastful/blisteringly
honest, gay/straight; with a curious ambivalence, for a Jew,
towards the remnants of the Third Reich.”—Ham & High
“[W]hat emerges is an absorbing and highly readable portrait of a
complex, larger-than-life character nicely described by a
fellow-composer as ‘one of the blessed ones who make everything
they encounter come alive.’”—Anthony Burton, BBC Music Magazine
“The . . . mainly unpublished correspondence both from and to
Bernstein, between 1932 and 1990, shines a light on this unique
figure’s thoughts, work and passions, his voice ringing clear with
warmth and candour. . . . He was a remarkable artist and human
being—elusive in his complexity, yet evoked, through these letters,
with undeniable presence.”—Teresa Levonian Cole, Country Life
“Offering 650 letters, this book is a major event in the
documentation of the life and work of one of the greatest American
musicians, who still exercises an enormous influence through his
revelatory records.”—Peter Dickinson, Gramophone Magazine
“What terrifying letters you write: fit for the flames is what they
are. Just imagine how much you would have to pay to retrieve such a
letter forty years from now when you are conductor of the
Philharmonic.”—Aaron Copland to Leonard Bernstein in 1940
“This incredible collection of letters gives us a glimpse into the
depth and breadth of Bernstein’s world. The sheer volume of
correspondence, all beautifully presented and annotated by Nigel
Simeone, shows us that Bernstein loved the written word as much as
the musical word!”—Marin Alsop, musical director, Baltimore
Symphony Orchestra
![]() |
Ask a Question About this Product More... |
![]() |