Table of Contents

1. Introduction; 2. Dürer's mythic and real presence in Italy: an argument against two separate journeys; 3. The Feast of the Rose Garlands I: Dürer's appropriation of Venetian painterly techniques; 4. The Feast of the Rose Garlands II: Dürer, Giovanni Bellini, and eristic imitation in the Renaissance; 5. The fulfillment of the old by the new: concordance of painterly technique, visual content, and hieratic tradition in the Virgin with the Pear; 6. Dürer's Maximilian portraits: an investi

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A study of Dürer's appropriation of Venetian painting techniques.

Reviews

'Dr Luber's concise and clearly argued book is a welcome addition to the Dürer literature.' Art Newspaper