Table of Contents

• Preface
• Introduction
• Establishing a Trouvère Musical Style: The Songs of the Vidame de Chartes, Fiona McAlpine
• The Fleury Master: Man or Myth?, Patrick Little
• The Ostinato Synthesis: Isaac's Lament for Il Magnifico, Warren Drake
• Lasso in Naples and Rome: The Early Four-part Madrigals, Howard Mayer Brown
• A Roman Procession (1583), Ruth Lightbourne
• William Byrd's String Fantasia 6/g1, Richard Rastall
• Structure, Imitation and Paraphrase in the Ornamentation of Giovanni Antonio Terzi's Lute Intabulations, Suzanne Court
• A New Source of Late Renaissance Sacred Vocal Music, Richard Charteris
• Aspects of Richard Dering's Tonality, Peter Platt
• Italian Madrigal Texts in the Early Seventeenth Century, Margaret Mabbett
• For Dancing or Diversion: G. B. Vitali's Chamber Sonatas, Margaret Thompson
• A Little-Known Contributor to the Early French Cantata: Jean-Baptiste de Bousset (1662-1725), Greer Garden
• Geminiani and the Role of the Viola in the Concerto Grosso, Peter Walls
• Two Martyrdoms of St Johann Nepomuk: Recovering Leopold Hofmann's Musikalisches Oratorio, Allan Badley
• The Fortepiano in Mozart's Opere buffe: the Dramatic Implications, John Drummond
• The Path to Bayreuth: Friedelind Wagner's 1962 Masterclass and the influence of Walter Felsenstein (1901-1973), John Mansfield Thomson
• John Steele: Publications 1956-1995
• Index