Clare Pollard was born in Bolton in 1978 and lives in London. She has published five collections with Bloodaxe: The Heavy-Petting Zoo (1998), which she wrote while still at school; Bedtime (2002); Look, Clare! Look! (2005); Changeling (2011), a Poetry Book Society Recommendation; and Incarnation (2017). Her translation Ovid's Heroines was published by Bloodaxe in 2013. Her first play The Weather (Faber, 2004) premired at the Royal Court Theatre. She works as an editor, broadcaster and teacher. Her documentary for radio, My Male Muse (2007), was a Radio 4 Pick of the Year. She is co-editor, with James Byrne, of the anthology Voice Recognition: 21 poets for the 21st century (Bloodaxe Books, 2009), and translator (with Maxamed Xasan 'Alto' and Said Jama Hussein) of Asha Lul Mohamud Yusuf's The Sea-Migrations (Somali title: Tahriib), published by Bloodaxe Books in 2017 with The Poetry Translation Centre. In 2017 she took over the editorship of Modern Poetry in Translation. Her non-fiction book Fierce Bad Rabbits: The Tales Behind our Picture Books was published by Fig Tree in 2019.
This is such a striking first book that at any age it would be
remarkable - from a teenage writer it leaves you excited that there
may be so much more to come.
*Time Out*
Pollard writes entirely and authentically out of the excited
anxieties of female adolescence: its quixotic hopes, its merciless
bitchiness and its maiming disappointments...The violent colours,
the abrupt swerves of thought and the wilfully obscuring bruising
of Pollard's poems distinguish them from the usual twenty-something
constructions.
*The Times*
This is work you can’t ignore – raw, reckless and more
bloody-minded than an older, so-called wiser poet would dare to be.
Clare Pollard tells us what it’s like to be young, slim and pissed
at the door of the 21st century.
*Selima Hill*
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