Table of Contents

Catriona MacLeod: Introduction
Summaries
Union
Michael R. Taylor: Consulting the Manual: Word and Image in Marcel Duchamp’s Étant donnés
Adriana Dragomir: Living and Dying in the Limelight: Performing the Self in Frida Kahlo’s Diary and Paintings
Laurence Wuidar: Imbrication de l’image, du texte et de la musique dans un corpus de prières énigmatiques à la Vierge
Cordula Grewe: The Künstlerroman as Romantic Arabesque: Parody, Collaboration, and the Making of The Modern Vasari (1854)
Karen E. Brown: The “Inscapes” of Louis le Brocquy
Robert Grant: American Scenery/Canadian Scenery: Conflicting Views of Indigenes in Mid-Nineteenth-Century British Portrayals of the American Continent
Miriam Harris: Cartoonists as Matchmakers: The Vibrant Relationship of Text and Image in the Work of Lynda Barry Conflict
Steen Christiansen: The Truth of the Word, the Falsity of the Image: Transmetropolitan’s Critique of the Society of the Spectacle
Danielle Leenaerts: Le magazine français Vu (1928–40): Naissance de l’information visuelle et utopie de la substitution de l’image photographique au texte écrit
Hubert Locher: From Ekphrasis to History: Verbal Transformations of the Display of Picture Galleries—Wilhelm Heinse and Friedrich Schlegel
Lauren S. Weingarden: Modernizing History and Historicizing Modernity: Baudelaire and Baudelairean Representations of Contemporaneity
Valentin Nussbaum: Serial Künstler: Portrait of the Artist as a Malefactor
Jonathan Marshall: Hypnotic Performance and the Falsity of Appearances: The Aesthetics of Medical Spectatorship and Axel Munthe’s Critique of Jean-Martin Charcot
Experiment
Susana Oliveira: New Light and Old Shadows: Industrial Illumination and its Imaginaire
Jennifer A. Greenhill: Illustrating the Shadow of Doubt: Henry James, Blindness, and “The Real Thing”
Eric T. Haskell: Picturing Paradise: Baudelaire’s “L’Invitation au voyage”
Julia Friedman: The Writing-Drawing Continuum of Alexei Remizov
Spyros Papapetros: Aby Warburg as Reader of Gottfried Semper: Reflections on the Cosmic Character of Ornament
Cristina Cuevas-Wolf: John Heartfield’s Insects and the “Idea” of Natural History
María DeGuzmán: The Photographic Thought of Latina/o Literature and Cultural Critique
Susan Nurmi-Schomers: Diderot, Brecht, Eisenstein, Fassbinder: Découpage Aesthetics on the Divide
Birgit Mersmann: (Ideo-)Logical Alliances between Image and Script: Calligraphic Reconfigurations in Contemporary Chinese Art
Contributors
Index