About the Author

Tan See Kam is associate professor of film studies at the University of Macau. He is chief editor of Asian Cinema and chair of Asian Cinema Studies Society. He co-edited Hong Kong Screenscapes: From the New Wave to the Digital Frontier (HKU Press, 2010).

Reviews

A rich and original study of one of the visionary director's most acclaimed films. Tan See Kam's knowledge of Peking opera traditions and the 'three women' tradition in Chinese cinema provides indispensable contexts for understanding Tsui Hark's Peking Opera Blues. -- Karen Fang, author of John Woo's A Better Tomorrow